![]() ![]() It is the air that we breathe as a band, and everything revolves around our siblinghood.” “The way that we communicate, the way that we play together, the way that we facilitate one another’s musicianship. With a lesser cut, like -10 dB, the sound simply becomes a bit less harsh.“Our relationship is everything about this band,” conceded Rebecca Lovell to PG in 2022. This reduces the higher guitar harmonics getting into the sim so they don’t become as distorted, which gives a beefy, bassier rhythm guitar sound. With the settings shown below, the HF (high frequency) EQ section before the Gratifier amp cuts the level at 4.7 kHz by -20 dB. If you trim the high frequencies, then this will lead to less distortion, especially when you compare them to the rest of the sound. This makes for a more even, sustained sound with solos played on the higher frets. The level of the lowest frequency’s riff is essentially unaffected, the second one is boosted somewhat, but the two higher riffs have considerably more level. The lower image shows the same file, but processed with the SOLID EQ settings shown above. The first is played starting on low E, the second an octave above, another octave above that (i.e., starting on the open first string), and finally, the octave starting on the first string, twelfth fret. This screenshot shows four identical riffs. Only the one stage outlined in red below is needed set the amount of boost to maximum, and the Q to minimum as a starting point. This is another situation where the SOLID EQ can come in to help. Increasing touch sensitivity for leadsīoosting the EQ around 3 kHz makes solos at the top of the neck more sensitive to your touch, because the boosted levels go into distortion sooner. This leaves room in the opposite channel for the other instrument.ģ. Pan the guitar lows to center, and the highs to the left or right (or vice-versa). Another useful panning option is when there’s another instrument part, like piano or synth. Panning the lows to the left and the highs to the right gives the widest possible stereo image. Once the amps are set up, use the Crossfade slider in the Crossover component to optimize the balance of high and low frequencies.įor a wide stereo image and an even more articulated sound, you can pan the lows and highs. This way the guitar has both power and articulation. ![]() Meanwhile, the high frequencies split off to the Twang Reverb, which is set up to give a more jangly, twangy sound. This gives a big, solid, powerful low end. One of my favorite techniques is to split the signal with the crossover at around 500 Hz, and insert an amp and cab in the low-frequency split that sounds good with power chords, like Jump. This changes the amp’s balance of highs and lows. Second, there’s less distortion on the lower strings, because they don’t send as much level to the amp as the higher ones. First, it becomes thinner, and sounds more like an open-back cabinet. Using SOLID EQ to trim the low frequencies before an amp like Hot Plex changes the sound in two ways. By using GUITAR RIG 5 and SOLID EQ, and the following tips below, you can enhance your guitar sound, and improve your productions immediately. But these changes needn’t be complicated even some simple tweaks can alter an amp’s character. One of the best aspects of amp sims (amplifier simulators) is being able to create sounds that would be difficult to implement with physical amps. Scroll on to the end to get a free demo download of GUITAR RIG. Read on to find out how a few simple modifications can take your guitar’s amp sim tone to the next level. Author of “How to Get the Most Out of Amp Sim Software,” and all-around guitar expert Craig Anderton, provides five tips on how to use EQ in GUITAR RIG.
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